It was Squid Games, Soviet style.QuoteThe Soviet crowd, raised by decades of Iron Curtain austerity, stopped dancing and froze like deer in headlights when they were lit up, petrified that the security guards would crack down on them. Then the lights would go out again and they'd resume dancing. Lights off, dancing. Lights on, frozen stiff. This went on and on like a game of red light, green light, one-two-three. With each flick of the lights, the perfectionist Joel saw his hard earned connection fading away. Mid-song, he started screaming at his crew to cut it out and, like a consummate professional, didn't even miss a beat as he barked orders between lyrics."When am I gonna take control, get a hold of my emotions? STOP LIGHTING THE AUDIENCE!Why does it always seem to hit me in the middle of the ni-i-ight? STOP IT!You told me there's a number I can always dial for assistance. LET ME DO MY SHOW FOR CHRISSAKE!""I hear Billy singing and he's saying something, but I can't hear what he's saying," lighting director Steven Cohen recalled in A Matter of Trust. But even though Cohen couldn't make out Joel's words, he would definitely recognize what came next—the sound of a piano crashing onto the ground. The five-foot-five-inch Joel had gotten a sturdy grip under the keys, put his back into it, and, with red fury in his face, flipped the whole thing over. Band and crew members recall stray chunks of Yamaha whizzing past them as the piano landed completely upside-down with a loud crash.With the crazed eyes of a man blacked out on rage, Joel hopped past the overturned piano and stormed towards the front of the stage just feet from the crowd. Since those in attendance had never seen a real rock and roll concert before, they clapped and applauded, thinking it was all part of the act. Joel picked up a microphone stand, swung it above his head, and bashed it into the floor like a lumberjack chopping wood and the crowd cheered even louder. Joel's petrified bandmates stayed clear of his warpath but didn't stop playing, and neither did he. He landed a flying kick into his grand piano as he continued to sing, "Sure it would be better if I had you here to hold me." Then he took a hard swing at it with the mic stand and knocked a big dent into it. The bottom half of the mic stand snapped off and he continued singing into a broken stick while the crowd went wild. No wonder rock and roll shows were so popular in America, they thought. For just five rubles, you could watch a curly haired man beat a piano half to death with a microphone stand. What a deal!
The Soviet crowd, raised by decades of Iron Curtain austerity, stopped dancing and froze like deer in headlights when they were lit up, petrified that the security guards would crack down on them. Then the lights would go out again and they'd resume dancing. Lights off, dancing. Lights on, frozen stiff. This went on and on like a game of red light, green light, one-two-three. With each flick of the lights, the perfectionist Joel saw his hard earned connection fading away. Mid-song, he started screaming at his crew to cut it out and, like a consummate professional, didn't even miss a beat as he barked orders between lyrics."When am I gonna take control, get a hold of my emotions? STOP LIGHTING THE AUDIENCE!Why does it always seem to hit me in the middle of the ni-i-ight? STOP IT!You told me there's a number I can always dial for assistance. LET ME DO MY SHOW FOR CHRISSAKE!""I hear Billy singing and he's saying something, but I can't hear what he's saying," lighting director Steven Cohen recalled in A Matter of Trust. But even though Cohen couldn't make out Joel's words, he would definitely recognize what came next—the sound of a piano crashing onto the ground. The five-foot-five-inch Joel had gotten a sturdy grip under the keys, put his back into it, and, with red fury in his face, flipped the whole thing over. Band and crew members recall stray chunks of Yamaha whizzing past them as the piano landed completely upside-down with a loud crash.With the crazed eyes of a man blacked out on rage, Joel hopped past the overturned piano and stormed towards the front of the stage just feet from the crowd. Since those in attendance had never seen a real rock and roll concert before, they clapped and applauded, thinking it was all part of the act. Joel picked up a microphone stand, swung it above his head, and bashed it into the floor like a lumberjack chopping wood and the crowd cheered even louder. Joel's petrified bandmates stayed clear of his warpath but didn't stop playing, and neither did he. He landed a flying kick into his grand piano as he continued to sing, "Sure it would be better if I had you here to hold me." Then he took a hard swing at it with the mic stand and knocked a big dent into it. The bottom half of the mic stand snapped off and he continued singing into a broken stick while the crowd went wild. No wonder rock and roll shows were so popular in America, they thought. For just five rubles, you could watch a curly haired man beat a piano half to death with a microphone stand. What a deal!
Was wondering last night, if Detroit got nizzuked would I see the mushroom cloud? A flash? I'm about 50 miles away
“New Mexico residents were neither warned before the 1945 Trinity blast, informed of health hazards afterward, nor evacuated before, during, or after the test. Exposure rates in public areas from the world’s first nuclear explosion were measured at levels 10,000- times higher than currently allowed.”
The first-ever plutonium bomb, the Gadget, was exploded at 5:29AM Mountain War Time. The light from the blast was observed across the entire state of New Mexico and in parts of Arizona, Texas, and Mexico. Intense heat was felt from 10 miles away and described as “like standing directly in front of a roaring fireplace” . Bright, yellow light from the blast was viewed from Albuquerque and Los Alamos to the north, Silver City to the west, and El Paso, Texas, to the south.
For my own part, I would prefer that you were awake for it.A man can dream. A Sourceror chooses.
...yeah!!
...I am always on my (PERIOD)...
Nothing surprises me anymore.
Nothing surprises me anymore. I’ve been in this game for a while now. The longer you’re in it, the more it shows you and the more you see.